Assistant Professor
Creative Arts
Trinity College Dublin
Ireland
Evangelia Rigaki has a diverse compositional portfolio ranging from instrumental works to experimental music theatre, opera and dance. She is intrigued by theatricality, collaboration with musicians, singers, performance artists, poets and directors. Her compositions are rooted in instrumental theatre and experimental music theatre. In Trinity Evangelia teaches undergraduate and postrgraduate courses, supervises 6 PhD students and is the Director of the MPhil in Composition and the Music Composition Centre. In March 2014 she organized the International Composition Conference, 'Composition in the 21st Century' which featured Sir. Harrison Birwistle as the keynote speaker. Evangelia's compositions have been performed in venues such as the Linbury Studio (Royal Opera House 2), Queen Elizabeth Hall, Darmstadt New Music Summer Course, Aldeburgh, Cheltenham Festival, Operadagen Rotterdam Festival, Dublin Innovation festival and the Beckett Theatre. Recent projects include: the Arts Council funded opera "AntiMidas, or, Bankers in Hades' which she composed (libretto by W.N. Herbert) and produced. The installation 'The Pregnant Box' written for solo singer and solo flute player in a specially constructed confession box, and a wandering choir. The object music theatre piece 'Monsieur Jean & Monsieur Jean' and the installation/music theatre performance AMENd.
Arts, music, threaters