"Christine Dixie’s work is predominantly focussed on two interlinked concerns, the visual strategies deployed in frontier landscape representation and the narratives used in constructing images of gender. Extending the boundaries of print making as a medium by working in installation and by using a variety of matrix’s and materials, her work is intent on drawing the viewer into a mesmeric yet disquieting space. She was awarded an Artist Research Fellowship at the Smithsonian Institute, Washington D.C. Her work is represented in national and international collections including The New York Public Library, The Smithsonian National Museum of African Art, The Johannesburg Art Museum and the Isiko National Art Museum. The installation The Binding, 2010, which examines the relationship between sacrifice and male identity, was acquired by the Smithsonian National Museum of African Art. Her latest multi-media installation, To Be King will be exhibited at the Venice Biennale this year."

Interlinked concerns, the visual strategies deployed in frontier Landscape representation and the narratives used in constructing images of gender.